FlashForwarding with Sense8

Sense8 is a Netflix production, originally developed by the people behind “The Matrix” and “Babylon 5”. When I saw the trailer a few weeks ago, I was so stoked about it: DMT, oneness, spiritual and philosophical discussions… Are you kidding me? This would be so cool! But now that I’ve seen all 12 episodes, I’m not as stoked anymore. Here’s a list of what went wrong:

1. No mystery. While the show has 4 more seasons (if they don’t get cancelled) to explain more things, its mysteries aren’t holding together well. They could have gone instead for a full episode per sensate (8 + 4 more exhilarating episodes at the end glueing together the story). Let the sensates and the overall story unveil in a way that is more interesting (not slow, but in a more brainf*ck way), rather than laying out the stories block by block and only have a central mystery to solve at the end of the season (in this case, Whispers and the company behind him). LOST worked because it knew how to build anticipation and thrilling by twisting the way it informed the viewer about what is what. Sense8 doesn’t. Sense8 is very traditional in its story telling instead, no matter if it likes to think the opposite for itself.

2. Boring, cheesy drama. Especially the ones set in India & Mexico. Very little action (except in the last 1-2 episodes), which is not fit for sci-fi. There have been at least 5-7 extremely cheesy scenes in the season too. I cringed in a similar way I did for the Star Wars prequels for some reason.

3. Unneeded sex scenes. Even on Game on Thrones, sex usually acts as a plot threading or character development, rather than filling up time. On Sense8, it was just too much of it because we already seen the same lovers over and over again having sex (we get it, they have sex daily, good for them!). I loved the trans story, but the gay one had way too many cheesy scenes in it for me to take it seriously. It felt that the whole series were revolving around the trans & gay sex scenes, rather than these sex scenes being simply part of the story. For the record, I would complain just as much if it was as much hetero-sex from the same lovers over and over too. My complain is not the gay/trans sex, it’s just the fact that we see the SAME lovers doing the same thing all the time, which is something that doesn’t serve the story and the plot. The only time I felt that the sex scene was excellent AND very much needed by the plot (because it **explains** what sex can be for a sensate) was the sensate orgy scene (3 men + 1 trans woman). This scene needed to be there because it’s the only way we can understand the unlimitness of being a sensate. It was rightfully part of the plot! But seeing the other two same set of lovers making out on each and every episode, was unneeded, too much, and ended up being cheesy at the end.

4. Single-dimensional characters. This is mostly because of how the series was setup (everyone dividing their screen time with the others, not leaving much time for development).

5. The language. JMS explained on his Facebook page why they decided to use English as the language set in other countries (see: that’s how Hollywood does it traditionally), but this just doesn’t work today. If anything, it makes the series less interesting, less mysterious even. It levels the playing field in a way that takes realism away.

So my verdict is that this is another FlashForward (remember that show, from ABC?). Great ideas, bad implementation.

1 Comment »

Adam Scheinberg wrote on June 8th, 2015 at 6:35 AM PST:

For the record, while I agree with you overall, I’m still enjoying it.


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