Archive for April, 2011

Goat Soup

One of my favorite foods while living in Greece was goat soup. We would usually have it in winter, or in spring, when the just-born baby goats would get slaughtered en masse for Easter, or for their still-tender meat. Nevertheless, it was yummy. It’s a traditional dish in Epirus, the mountainous region of Greece I’m coming from. Others have spotted this Epirus dish too while on their Greek vacations. We’re lucky to be living close to a Mediterranean shop, so when JBQ spotted some goat meat there we jumped at the opportunity. I believe this was the first time I cooked goat in the 10 years living in the US.

Update: Wow! I searched long and hard online to find another authentic Epirus goat soup recipe, and I found none! In Epirus we even have restaurants that seasonally only offer goat soup, so not finding anything online about it was surely a surprise. I only found a Cretan version with tomato instead (Andy Milonakis‘ dad cooks that version apparently).

Ingredients (for 2)
* 1/2 lb (250 gr) of goat stew meat
* 1 large golden potato (on Paleo use turnips/rutabaga or kohlrabi)
* 1 branch of Utah celery (or a bunch, for Amsterdam celery)
* 2 medium-to-large carrots
* 1 small zucchini
* 1/4 bell pepper (optional)
* 1/2 of a large onion
* 1 large, juicy lemon
* 3-4 tbspoons of olive oil
* freshly grounded black pepper
* salt

1. Wash the goat meat well under running water. In a deep stock pot add 4-5 cups of water and bring to a boil. Add the meat and continue boiling, uncovered. Using a spoon remove and discard the “foam” that surfaces from the boiling meat. Boil in medium heat for 15 minutes if the goat is young, or up to 45 minutes if the goat is old (old goat meat looks more “rough”). When done, using a colander, discard the water.
2. Chop the onion. Slice the zucchini. In the deep stock pot now add the olive oil, and the chopped onion. Under high heat, start browning the onion, and then add the goat meat, and a minute later add the zucchini. Stir occasionally. When the meat is browned, add 5-6 cups of water. Add more water if the goat is old and requires more cooking time. Cook under medium heat, covered.
3. Half-way through the cooking process, using your wooden stirring utensil try to mash the zucchini a bit. Then add the sliced carrots, sliced celery, and the chopped optional bell pepper. Add salt, and ground the black pepper. Use more pepper than usual.
4. Fifteen to twenty minutes before you remove from heat, add the peeled, washed, and chunked potato.
5. Ten minutes before you remove from heat, squeeze the lemon’s juice. Alternatively, you can wash the lemon, cut it half, and add it face down in the stew to cook with. Remove it from the pot before serving. Cooking time is varied, it’s until you get the consistency shown in the pictures, and when the meat is tender (usually it’s less than an hour’s time for young goat meat). Serve hot, optionally with more black pepper and some lemon wedges for those who like extra-bitter soups.

Robert Carlyle: A genius actor

I always felt that the actor playing Dr Rush on SGU, Robert Carlyle, had the whole show on his shoulders. Coupled with his controversial actions, Dr Rush is the person of interest for the “meat” of the show (exploration & ancention). He’s enigmatic, interesting to look at and listen to, brilliant, determined, driven & focused, but also broken, and intense like hell when he’s pissed off. A man with a mission.

Of course I knew this was a strong actor, I was living in the UK the time his star exploded in popularity there, in the second part of the ’90s. But it was a single scene on last Monday’s SGU episode that made me realize how deep this actor is, and how much value he brings to SGU. In the beginning of the episode we see Rush as his usual cold, pragmatic self, not really caring much if the bomb went off or not back on Earth. But 2/3s in to the episode, we see him rush himself to Amanda Perry, after she has taken over Chloe’s body. It’s in that scene that we see the depth Carlyle brings into the character:
– While he runs towards her he jumps above some chairs to get to her even just milliseconds faster. There is so much intensity, so much desire in that jumping scene.
– When he gets in front of her, he stops cold again. He’s not sure if he wants to hug her or not, in their last encounter he blew her off after all. He’s not sure if she’s mad at him, or even if it’s her really.
– When she gives him the go-ahead, he hugs her, gives in to his feelings, and his whole face and body language shows it. We learn that he’s human after all.


This is the kind of acting that it’s up to the actor to think about his role, and improvise on — not to the “director of the week” (most TV shows usually work with different directors each week). I wish the rest of the SGU characters were as fleshed out as much as Rush is, but they’re not. Except possibly Eli, a character that all us geeks can identify with, all the rest of the main characters are an unknown quantity:

– I mean, who’s Col. Young, really? I don’t really understand the man, compared to Rush (who’s supposed to be the enigma). Sure we know some of his back story, but I don’t feel that I know the man. Actor’s fault.
– Chloe is whiny, bland and boring. Part actress, part writers’ fault, but possibly mostly the actress’. Unless that was what she was asked to deliver.
– The Lt Scott actor can’t act on intimate drama scenes — he only excels on military scenes. When Chloe wakes up with nightmares and he tries to comfort her I felt that I was watching Hayden Christensen on Star Wars: Episode II. Oh, my, God, the terror.
– Sgt. Greer actor is a good all-around actor, but too much of a stereotypical jarhead at times. Writer’s fault.
– Wray is the only strong female character in the series, but somehow I find her redundant in the grand scheme of things. Part actor, part writers’ fault.
– As for TJ? That was a clear miscast. She has a single face expression: baby-doll. Casting agent’s, actress’, producer’s and writers’ fault.

I’m willing to bet that while the writers could have done a better job fleshing out characters, it’s mostly the actors’ fault for these shortcomings. Look at Adam Brody for example (portrayed by Peter Kelamis). We know nothing about the back story of this supporting character, apart from being a scientist with one-liners. However, I feel that I know Brody more than I know Col. Young. There are key moments in the few times he has a line that make me understand the guy: he’s short on temper, he’s not taking shit from Rush, he’s ready to take hard decisions if the situation warrants it, but he’s also goofy at times, and he’s generally laid back. And I believe that all this is because the actor himself has sat down, and fleshed out the character himself in his mind. If the writers didn’t help, he did the job for them as best as he could with the material he got.

Which brings me back to Carlyle, and his ability to flesh out characters even if key points are not spelled out in the script. I wish more actors were like that. Especially the TV land would be a better place. Carlyle won a well-deserved Gemini award for his portrayal of Dr Rush, for the episode “Human”.

After SGU’s cancellation Carlyle has now signed on ABC’s “Once Upon a Time”, a new fairy-tale show that will premiere next Fall. It’s a show written by key members of the LOST writing team, so it’s got quite some backing from ABC. It’s also shot in Vancouver, so Carlyle won’t have to move to LA, since he seems to dislike most-things Hollywood.