The new District 9 movie which has taken the critics by storm is a lesson at multiple levels. Not only for its social commentary, but also for its filmmaking style. The movie was shot with a Red One, and almost 2/3s of it is in documentary style shooting and grading (or lack thereof):
There’s no shallow depth of field, cropping, or aggressive color grading. It’s just a run and gun movie, and it works. The magic is all in the story, apparently.
When I saw the “Eviction” clip showing the guy pictured above I smiled, because the look is exactly like Canon’s “Cinemode” — a look easily acquired by a consumer camera. That scene looked like it was shot with my HV20, and this was a great feeling.
The real funny thing is though that a lot of people shoot in cinemode because the heard that this is how they will achieve the movie look, and then they are unhappy because cinemode looks so flat. But it’s that the beauty of cinemode: in its low contrast, low saturation look.